SALUTING SATYAJIT RAY’S UNIQUE HEROES

Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...

ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

THE STORYTELLERS AND MUCH MORE

“Powerful words of two stellar artists, Zen Dot and Dini Parayitam, have stitched together this fabulous interview, which clearly mirrors...

RANGAYAN ON THE JURY OF TWO SEATTLE FILM FESTIVALS

Sridhar Rangayan will screen three of his films at Tasveer South Asian Film Festival, also serve as jury. Besides that, he is member of jury at...

SHAAN LENDS HIS VOICE TO RANGAYAN’S FILM KUCH SAPNEY APNE

Eminent singer Shaan, who has sung memorable songs like Jab Se Tere Naina (Saawariya), Kuch Toh Hua Hai (Kal Ho Naa Ho), My Dil Goes Hmmm (Sala...

TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

BEING THE NEW-AGE DADDY COOL!

Monojit Lahiri traces the evolution of this creature from the one-dimensional pitashree to the hands-on Daddy cool!

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HOW DO YOU FALL OUT OF LOVE WITH COUNTRY MUSIC

Vinta Nanda had this interesting conversation, recently, with Shyamala Moorty, director of multiple award winning film “...

ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...